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By
Afghanland.com: Jami,
the last of the great classic poets of Persia, was born at Jam,
near Herat, the western province of Afghanistan in 1414 and died
in Herat in 1492. He essayed every form of literature and achieved
success in each. From childhood he was welcomed everywhere as a
marvel of brilliancy. He himself wrote that he never found a
master who knew more than he. Jami was a disciple of Sadedin
Kashgari, the chief of the Naqshbandis, whome he succeeded in the
direction of the Herat area of AFGHANISTAN. His higher allegiance
was to Khja Obaidullah Ahrar, General of the order. Jami was a
genius and knew it, which made ecclesiastics and literary men of
his time acutely uncomfortable, since the convention was that no
man was great unless he appeared intensely humble. In his
Alexandrian Book Of Wisdom, Jami shows that the Sufi esteric
transmission link of the Asian Khajagan ('Masters') was the same
as that used by Western mystical writers. He cites as teachers in
the Sufi transmission such names as Plato, Hippocrates, Pythagoras
and Hermes Trismegistos. When we seek for the work which best
represents this universal genius, we find it perhaps in his chief
love-tale, which follows below. This mingles Nizami's romantic
touch with Jalal's Sufism and the fire of Hafiz. It is Jami at his
highest note.
According
to Afghanland.com sources, Zuleika,
the daughter of Taimus, King of Mauretania, beheld in a dream a
figure of such extraordinary beauty that she became immediately
enamored of the glorious vision, and sank into a deep melancholy,
fruitlessly longing for the unknown object. This dream was three
times repeated, and the last time the beautiful apparition named
Egypt as the land of his abode. He is indeed Joseph, or Yusuf, of
the Old Testament, and Zuleika is to play the part of Potiphar's
wife.
Certain
religious scholars in Baghdad, trying to discredit him, misquoted
a passage from his Chain Of Gold, and created a
disturbance, which was only died down after a ridiculous
and trivial debate in public. Most of all Jami said that such
things could happen at all in the community called human.
Jami's
writtings and teachings in the end made him so celebrated that
contemporary monarchs, from the Sultan of Turkey downwards, were
constantly irritating him with offers of enormous amounts of gold
and other presents, and appeals to adorn their courts. His acclaim
by the public annoyed him, too, to the mystification of populace,
who could not understand that he wanted them to adopt him as a
hero but to do something about themselves. He never tired of
pointing out that many people who tried to overcome pride were
doing so because in this way they would be able to inflate
themselves with such a victory.
His
full name was Nur ad-Din Abd ar-Rahman Jami. His poetic influence
was widespread. Nearly 100 works are attributed to him, of which
some 40 are considered authentic. He was also known as a saint for
his devotion to dervish teaching and to Sufi philosophy. Among his
works is the collection of poems Haft Aurang [the seven thrones],
including the allegory “Salaman and Absal” (translated by
Edward FitzGerald in the 19th cent.), and a version of the tale of
Joseph and Potiphar’s wife. His Baharistan [abode of spring] is
a collection of short stories.
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